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不列颠东印度公司
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 英国东印度公司英语British East India Company缩写BEIC)又称“可敬的东印度公司”(the Honourable East India Company缩写HEIC),有时也被称为“约翰公司”(John Company),是一个股份公司。西元1600年12月31日,英国女王伊丽莎白一世授予该公司皇家特许状,给予它在印度贸易特权而组成。实际上此特许状给予“可敬的东印度公司”于东印度贸易的垄断权21年。随时间的变迁,东印度公司从一个商业贸易企业变成印度的实际主宰者。在1858年被解除行政权力为止,它还获得了协助统治和军事职能。
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英鎊紙幣 英镑纸币
1, 5, 10 .20, 50 englische Pounds -Ausgabe 1971-1993
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卢米埃兄弟
Auguste Marie Louis Nicolas Lumière (* 19. Oktober 1862 in Besançon; † 10. April 1954 in Lyon) und Louis Jean Lumière (* 5. Oktober 1864 in Besançon; † 6. Juni 1948 in Bandol, Var)

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卢米埃兄弟(Auguste Marie Louis Nicholas,1862-1954; Louis Jean,1864-1948)是法国的一对兄弟,出生于欧洲最大制造摄影感光板的家族,是电影和电影放映机的发明人。

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萊特兄弟 莱特兄弟/Orville und Wilbur Wright(1871 - 1948)
Die Brüder Wright, auch Gebrüder Wright genannt, Wilbur Wright (* 16. April 1867 in Millville, Indiana; † 30. Mai 1912 in Dayton, Ohio) und Orville Wright (* 19. August 1871 in Dayton, Ohio; † 30. Januar 1948 ebenda) waren US-amerikanische Pioniere der Luftfahrt, die zu Beginn des 20. Jahrhunderts Flüge mit Gleitflugzeugen und schließlich gesteuerte Flüge mit einem von einem Motor angetriebenen Flugzeug (Motorflugzeug) absolvierten.

Die Brüder Wright, auch Gebrüder Wright genannt, Wilbur Wright (* 16. April 1867 in MillvilleIndiana; † 30. Mai 1912 in DaytonOhio) und Orville Wright (* 19. August 1871 in Dayton, Ohio; † 30. Januar 1948 ebenda) waren US-amerikanische Pioniere der Luftfahrt, die zu Beginn des 20. Jahrhunderts Flüge mit Gleitflugzeugen und schließlich gesteuerte Flüge mit einem von einem Motor angetriebenen Flugzeug (Motorflugzeug) absolvierten.

莱特兄弟(英语:Wright brothers),即奥维尔·莱特(Orville Wright,1871年8月19日—1948年1月30日)和威尔伯·莱特(英语:Wilbur Wright,1867年4月16日—1912年5月30日),是美国航空先驱,他们因发明、制造并驾驶世界上第一架成功的飞机而闻名。[3][4][5]于1903年12月17日在北卡罗来纳州基蒂霍克以南四英里(约6公里,今屠魔岗)处使用莱特飞行器进行首次受控、持续的发动机驱动重于空气的飞行。1904年,莱特兄弟研发了莱特飞行器二号,实现了更长的飞行,并首次完成了圆形飞行。随后在1905年,他们推出了第一架真正实用的固定翼飞机莱特飞行器三号

莱特兄弟的突破性发明在于他们创造了三轴控制系统,使飞行员能够有效地操纵飞机并保持平衡。他们的飞行控制系统使固定翼动力飞行成为可能,并且至今仍是各种飞机的标准配备。[6][7][8][9][10][11](p. 183)他们的第一项美国专利并没有宣称发明了飞行机器,而是操纵飞行机器表面的空气动力学控制系统。[12]从他们开始航空工作的那一刻起,威尔伯和奥维尔就专注于开发可靠的飞行员控制方法,认为这是解决“飞行问题”的关键。[13]这种方法与当时其他实验者显著不同,后者更强调开发强大的引擎。透过使用自制的小型风洞,莱特兄弟收集了比以往任何人都更准确的数据,使他们能够设计出更有效率的机翼螺旋桨[11](p. 156)[14](p. 228)

兄弟俩透过在俄亥俄州代顿的商店里从事印刷机自行车引擎和其他机械多年的工作,获得了他们成功所需的机械技能。他们在自行车方面的工作尤其影响了他们的信念,即飞行器等不稳定的车辆可以透过实践来控制和平衡。[14](p. 169)这在当时为普遍趋势,许多其他航空先驱也都是热心的自行车爱好者,并以各种方式参与了自行车业务。[15]从1900年到1903年末进行首次动力飞行之前,莱特兄弟进行了广泛的滑翔机测试,这也培养了他们作为飞行员的技能。他们的店铺技师查尔斯·泰勒成为团队的重要成员,与兄弟俩紧密合作,制造了他们的第一台飞机引擎。[16]

莱特兄弟作为飞机发明者的地位受到许多反对主张的质疑。关于声称首次动力飞行的众多竞争性主张仍存在许多争议。代顿航空遗产国家历史公园的历史学家爱德华·罗奇(Edward Roach)认为,莱特兄弟是优秀的自学成才的工程师,能够经营一家小公司,但没有业务技能或气质来主导日益增长的航空业。

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1940er Jahre USA

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熨斗
Bügeleisen aus dem 19. Jahrhundert

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别克
Buick [ˈbjuːɨk] ist eine 1903 gegründete Automarke. Sie gehört zum US-amerikanischen Automobilkonzern General Motors seit dessen Gründung 1910. Buick-Fahrzeuge werden aktuell in den USA und in China produziert.

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拜占庭式建筑
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凯迪拉克 V16 Roadster 1931
1930 erschütterte Cadillac mit der sensationellen Premiere seines völlig neuen Sechzehnzylinder-Motors die Luxuswagenwelt. Der Cadillac V16 war einer der begehrtesten Luxuswagen in Amerika und bot 175 PS und unvergleichliche Raffinesse.

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1931 CADILLAC V16 ROADSTER

In 1930, Cadillac rocked the luxury car establishment with the sensational debut of their all-new sixteen-cylinder engine. The unveiling of the V16 and its twelve-cylinder sibling marked Cadillac's opening salvo in the so-called multi-cylinder war that followed. The race to match Cadillac's prestige ultimately spelled the end for Marmon, Auburn, and others that tried to follow suit but lacked the budget to survive the ensuing economic meltdown. With few peers, the Cadillac V16 was one of the most sought-after luxury cars in America, offering 175 horsepower and unparalleled refinement. Named for its displacement in cubic inches, the Series 452 V16 shared its architecture and overhead-valve layout with the smaller V12. The mighty engine's size and power required a new, strengthened frame with improved braking and damping, along with a more robust gearbox, axles, and more. The chassis also had to cope with large and heavy coachwork, typically in the form of elaborate, lavishly trimmed limousines and sedans from GM's primary body suppliers, Fleetwood and Fisher. However, a select few customers opted for something altogether more sporting, choosing Fleetwood's marvelous 2/4-passenger roadster.

 

Considered by many to be the Holy Grail of V16 Cadillacs, the Fleetwood roadster is undoubtedly one of the classic era's most iconic motorcars. Roadsters accounted for a tiny fraction of production compared to sedans and limousines, and many existing cars are made up from spares or cut from coupes. This marvelous example, chassis 703165, is one of a handful of genuine V16 roadsters, verified by the original build sheet supplied by GM Archives. It is beautifully presented in Silver Mink over Sable Brown fenders, offered in excellent order with a very-well preserved older restoration that benefits from recent freshening.

 

According to registry and build sheet data, this car was completed by Fleetwood and shipped to Mabbett Motors of Rochester, New York, on September 18, 1931. Little else of its early history is documented, until it resurfaced in the 1960s when "Cadillac Jim" Pearson of Kansas City, Kansas, acquired it from Mr. Lou Moore of State College, PA. Pearson was one of the pioneering characters of the car-collecting hobby, and he saved numerous classics from the scrap-heap when the general public considered them little more than "used cars." In the 1970s, another renowned collector, Mr. Dick Gold of Minnesota, bought this Cadillac from Jim Pearson, and it is believed he commissioned a full, nut-and-bolt restoration. Besides being a respected expert and collector, Mr. Gold also served as the CCCA President. After restoration, the Cadillac earned both AACA National First Prize and CCCA Senior First Prize awards and appeared at prestigious concours events for decades after. Gold sold the car in the late 1980s, before it was passed to a European collector. Subsequent owners included a roster of well-known and respected enthusiasts who maintained the car in excellent condition through the years.

 

As offered here, the Cadillac V16 Roadster presents in excellent condition, with well-preserved, gently matured restoration. The sable brown over silver mink paint is quite attractive, with a few minor imperfections on close inspection consistent with the restoration's age. Accessories include dual side-mount spares, Pilot Ray driving lamps, stone guard, chrome hood vent doors, painted trunk Goddess mascot, and more. The car wears new Firestone whitewall tires on chrome wire wheels and a newly fitted chocolate brown canvas top provides a lovely complement to the livery.

 

The brown leather upholstery is restored to period-correct standards and is presented in fine condition, showing some light creasing from use that enhances its appealing character. Carpets and interior panels are excellent, as are controls and chrome interior fittings. There is a matching brown leather rumble seat behind the cockpit, which shows slight signs of use. Side curtains and the top boot are stowed on the rear floor and accessed via the golf bag door.

 

The Cadillac V16 was one of the first examples of a styling department influencing engine design. Harley Earl's newly formed Art and Colour Section at GM was flexing its muscles, and he rightly suggested that an engine of such stature deserved to be a showpiece. Earl's influence is seen in the linear Art Deco detail on the valve covers and the clean, uncluttered appearance. Wires and plumbing are tucked out of sight, and the engine is finished in beautiful black porcelain enamel. The enamel finishes are in excellent condition on this car, with few indications of heat-related cracking in the manifolds. Overall, the mighty V16 is tidy, clean, and appropriately detailed for an older, award-winning restoration.

 

The pairing of Cadillac's magnificent sixteen-cylinder engine with Fleetwood's glamorous, sporting roadster coachwork created one of the preeminent American cars of the Classic Era. This well-known, finely restored, and documented example represents the ultimate in 30s-era glamor and will undoubtedly be a star of its next keeper's collection.

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1944 R. J. Reynolds Tobacco Company

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[意]羽管键琴/大键琴/称拨弦键琴

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大键琴,也称拨弦键琴大键琴羽管键琴,是一种盛行于欧洲文艺复兴时期巴洛克时期的乐器。根据霍恩博斯特尔-萨克斯分类法,由于大键琴的发声源来自收藏在内部的絯线,并利用琴键及其内置装置令弦线拨动而发声,因此被归纳为弦鸣乐器。其分类号为314.122-4-8。一般乐器分类法则归入键盘乐器拨弦乐器

过往大键琴所用来拨弦用的拨子多是由鸟类羽毛管所做的,现今改良后的大键琴,大都改以塑胶作为拨子。

在文艺复兴时期和巴洛克时期,大键琴是非常普及的乐器,它既可作为独奏乐器,亦可作为伴奏乐器;而在合奏(如最初期的室乐团)中亦担当重要的角色,可视为全队中的指挥。进入古典乐派初期,合奏的规模渐渐扩大,并慢慢形成为现代管弦乐团的雏型,一些著名的作曲家,例如海顿C.P.E.巴赫,及早期的莫扎特管弦作品等,仍将大键琴放置在内,但由18世纪中后期开始,随着现代钢琴开始成型,大键琴在极短时间内遭淘汰,它的重要性一下子就取代掉,莫扎特中期作品起已经不再放入大键琴,而自贝多芬年代起,欧洲几乎再没有任何人会为大键琴写曲。大键琴就在音乐历史发展上近乎消失近150年,直至二十世纪中期,由于开始对早期音乐有较多的研究,大键琴才重新得到留意,亦开始重新生产及改良大键琴的结构。

Das Cembalo [Aussprache tʃɛmbalo] (ital.: clavicembalo, franz.: clavecin, niederl.: clavecimbel, engl.: harpsichord, span.: clavecín, portug.: cravo) ist ein Tasteninstrument, das seine Blütezeit im 15. bis 18. Jahrhundert hatte. Sein Tonumfang ist kleiner als beim modernen Klavier, kann aber oft durch 4-Fuß-Register, manchmal auch durch 16- und 2-Fuß-Register erweitert werden. Das Cembalo hebt sich vom Klavier durch seinen hellen, obertonreichen Klang ab. Anders als beim Klavier werden die Saiten nicht mit Hämmerchen angeschlagen, sondern mit Plektren – sogenannten Kielen – gezupft. Weil der Tastendruck keinen nennenswerten Einfluss auf die Lautstärke des Tons hat, ist die artikulatorische und agogische Gestaltung des Spiels umso wichtiger. 

 

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