Deutsch-Chinesische Enzyklopädie, 德汉百科

       
German — Chinese
Catalog Art

煎饼磨坊的舞会
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巴尔的摩艺术博物馆
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月夜宴会/土蔵相模での月夜の宴
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包袱錦彩繪 包袱锦彩绘
包袱画是苏式彩画图案名称。在四合院建筑每间的水平构件的中间部位设计的半圆形图案称为包袱,是苏式彩画绘画的重点部位。包袱苏式彩画普遍运用烟云类纹饰作为包袱轮廓内容,包袱内绘各种图案,清早、中期以吉祥图案为主,晚期普遍以写实绘画为主,例如山水、人物故事、翎毛花卉等。   清晚期苏式彩画中多用于小式建筑的“一檩三件”上,也有用于大式建筑的额枋上。清中早期苏式彩画包袱称为“袱子”。在江南明清的民间建筑彩画中,尖端向上的称“系袱子”,尖端向下的称“搭袱子”。方形袱子称“直袱子”,直袱子上做系袱子或搭袱子的称“叠袱子”。 包袱锦彩绘以包袱锦构图和写生题材为形式特征的,其采自江南苏杭一带民间建筑彩绘的传统做法。江浙自古盛产丝织,图案花锦丰富、多彩。宋《营造法式》画作多采用锦纹为饰,后世艳称:“宋锦” 纹。这种具有江南特色的苏式彩绘,简称苏绘或苏作。江南苏式包袱锦彩绘的内容多以各式锦纹图案及各类动物等吉祥图案和花草攒退图案为主要题材,和北方彩绘相比,其图案丰富多样,构图生动活泼,色彩淡雅宜人。使其成为了中国古代建筑艺术中的一朵奇葩。

包袱锦彩绘是古建筑彩绘的一种,是“苏式彩绘”的优秀代表,以江南为代表的南方彩绘,包袱苏式彩画普遍运用烟云类纹饰作为包袱轮廓内容,包袱内绘各种图案,清早、中期以吉祥图案为主,晚期普遍以写实绘画为主,例如山水、人物故事、翎毛花卉等,构图生动活泼,色彩淡雅宜人,是采自江南苏杭一带民间建筑彩绘的传统做法。包袱锦彩绘艺术主要是南方古建彩画使用的,目的不仅具有保护建筑木构件的作用,同时这种装饰上鲜明、强烈的民族色彩和民族风格,使整个建筑艺术具有艺术效果。

 

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寶吉駿圖 宝吉骝图
艾启蒙绘,依纳爵·西歇尔巴特(Ignatius Sichelbart,1708年—1780年),汉名艾启蒙,字醒庵,波西米亚(今属捷克)人,天主教耶稣会传教士。他乾隆十年(1745年)来到中国,师从郎世宁学画,很快受到清廷重视,奉召入内廷供奉。 他擅长人物、走兽、翎毛类绘画。

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巴恩斯基金会
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巴罗克艺术风格,巴罗克建筑风格;巴罗克时代;艺术风格起源于意大利;
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1295
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蘇夫洛街巷戰 苏夫洛街巷战

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巴斯勒莫斯·范·德·赫斯特 (* um 1613 in Haarlem; † vor 16. Dezember 1670 in Amsterdam)
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巴托洛梅·埃斯特万·牟利罗 (* 1. Januar 1618 in Sevilla, Andalusien; † 3. April 1682)
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巴黎圣心堂
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